The author Rachael Matthews is a lecturer in Textiles at Central St Martins, specialising in knit and colour. Through 20/21 lockdowns, her practice moved into experiments with weaving, after discovering a need to deal with the mounting piles of textiles in her family cupboards and on the streets around her home. This work gained her a placement at The Experimental Weave Lab, hosted by two CSM colleagues, at the Clothworker’s Company in the City of London. Sharing a studio with other experimental weavers and learning about many ancient ways of making things, a new world started to appear, with an endless source of modern materials to hack. Sharing the skills with a diverse community group in East London, the practice deepened with a new knowledge about how people can design together without the training of Art School.
"Rag Manifesto is a call to arms for the overlooked fabric detritus in our world."
European modernist painters, such as Ben and Winifred Nicholson, became interested in Rag Rug making in the 1920s. Picasso inspired freedom in creativity, using found materials and recognising that ‘primitive’ art was highly skilled. The art world missed a trick in not accepting these painterly rag works as true art and many have been lost. A century later, post pandemic, the need for a community to gather and make textiles was strengthened by a shared concern about the textile waste found on the streets where they live. This led to founding Rag School, an on-line studio to rediscover the lost ways of making things.
My intention is for Rag School to be introduced to any community, offering empowerment through the transformation of materials, changing our relationship to commercial fashion and textiles.
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